My love of making felt was born out of a need for less structure and more fun in my life. In 2013, I began feeling stuck in my photographic work and thought perhaps that a hobby would get me 'un-stuck'. Indeed it worked, but I truly had no idea what I was in for...
I'd seen handmade felt at a few shows, and found it beautifully fascinating, but didn't really understand how it was made. So, I bought some books, did some research, and began the journey of becoming a feltmaker. Hobby, you say? Forget that.
I've spent the last few years devoted to learning and experimenting with different types of feltmaking, trying to find what resonated with me, what 'lit me up inside'. I wanted to disappear into that 'zone' that happens between the maker and what's being made. That complete connection. I've most certainly gotten there, and even though I'm still finding my way in the fiber art world, I finally feel ready to share my work with others.
During my exploration period, I was privileged to learn techniques from a variety of fiber artists, such as Diane Christian, Sharon Costello, Marjolein Dallinga, Fiona Duthie, Lise Poulsen, Maggy Pavlou, and Elena Talikova.
Felt is the oldest known textile, and there are various stories as to how man figured out how to make it. There's also much controversy over when exactly that first happened. Felt artifacts dating from as early as 600 BCE do exist, though some claim that feltmaking goes as far back as 8000 BCE. Regardless of when, none seem to dispute that the art of making felt predates spinning and weaving. There is absolutely no doubt that feltmaking has been around for thousands of years, and though I use a few modern tools, my methods are almost identical to those used in early times.
There are different ways to make felt. One is needle felting, also known as dry felting, which is a newer method that came about in the 1980's. This is how I first learned to felt, but now my preferred method is wet felting, as it was done in those early days.
I wet felt using sheep's wool, rainwater, and olive oil soap. The reason I use rainwater is not only for environmental reasons, (water conservation is part of life in the southwest) but the ph is perfect for felting, and I find the wool responds beautifully. (If you're a felter, you should try it!)
This felt is very soft to the touch, but can be made firm enough to hold a shape when required. I use a variety of wool from different breeds of sheep to accomplish this.
By laying and overlapping the wool fibers, adding soap and water, and pressing, agitating, tossing and rolling the wool, I am able to create the felt fabric. It absolutely seems like magic during the process, but the truth is that sheep hair has tiny microscopic scales that tangle and lock together during the felting and fulling process. The more I agitate them, the more they tangle, tighter and tighter together, shrinking along the way, and voilà…they've bonded together and turn into a very strong fabric that cannot be torn, or even fray!
The short video to the right shows traditional feltmaking. I thought I'd share it here, just to give you an idea of what I'm talking about...at least, until I can make a video of my own. :-D
I also couldn't resist sharing this video from Diana Nagorna, a feltmaker from Ukraine. I am a great admirer of her work and thought this video was a good example of how I make my vessels, working around a resist, which keeps two sides of the wool from felting together and allows one to make something in one piece without having to sew. (Not to mention the finished dress is stunning!)
If you watch the video up to about 9:00 minutes, this is pretty close to how I work. Our techniques differ in that I do not normally use a sander to vibrate the wool, but prefer to do it by hand. When working on a large piece, like she is, I probably would use a sander to save time. (There is a 30-50% shrinkage rate, so one must start much larger than what they intend their finished product to be.)
Also, Ms. Nagorna is using a technique in this video called Nuno Felting, which is laminating fabric (natural fabric like silk works best) to the wool. This technique was created in the 1980's as a way to make lightweight garments with wool that were still strong and durable. You will see her laying silk over the dress after she has finished laying out her design. I use this technique for wearables and only occasionally with my sculpture as a design element.